Hello, Piano.

The first time I went to college (right out of high school), I went to study music education. My plan was to become a music teacher. I went on an instrumental study, having originally auditioned as a vocalist but after being rejected by the school I went and tried again as a tuba player. It was easy for me to get into the music school as a tuba player, tuba players are rare. I had played tuba since the fifth grade. I wasn’t exceptionally good nor passionate about it, but it helped me fill in the “bottom” of a given band, so I was good doing my part.

As a Music Education major I took many music theory classes. In depth study of how good music is constructed was quite interesting to me. In many ways music is math. Musical passages are fractions of the song and a well constructed piece of music makes use of equal fractions. I was always interested in how classical compositions related to modern music, especially dance music of the time. The college had just constructed its first electronic recording studio in the summer of 1986 and was offering classes in music recording, editing and the like. Because I was a music education major and because the equipment in the studio was very expensive, I was denied entry to any of these classes. I sometimes wonder where I would be in life today if I had pursued that line of music instead of the more traditional music education track.

One of the best ways for me to get centered for a work week is to listen to a composition of well constructed electronic dance music. It’s not really EDM in the sense of going to a rave and getting hyped up on E or anything. The intensity of the track needs to be subtle. Lyrics should be minimal and actually I prefer vocalizations that are instrumental contributions rather than the centerpiece of the creation. The use of real instruments, are at least very accurate representations, soothe my being. The track needs to have a “flow”; a logical construction that tells a story.

Please enjoy “Hello, Piano” by Inkfish and David West. This track is near perfection for my ears. Someday I’m going to figure out what the vocalizations are saying but I don’t get lost on trying to discern their meaning. I just let them blend in with the other instruments, the flanging between my ears adding to the bliss I feel when I listen to this track.

Best enjoyed with headphones.