Groovy Distraction.

My husband and I are still working our way through “The Mothers In Law” on Amazon Prime. It’s a distraction from the 21st century and all its woes. We’re still making our way through the first season. The quality of the episodes is still quite uneven but it’s improving as we make our way through the trials and tribulations of the Buells and the Hubbards.

It’s interesting to see how hard Desi Arnaz, as Executive Producer and often Director, tried really hard to recreate the showmanship of “I Love Lucy” with this cast, albeit with a late 1960s twist. The writers were all from “I Love Lucy” and while one is working their way through an episode it’s easy to see that while the premise foundation is different, the shenanigans and antics of Eve and Kaye are very Lucy and Ethel. I think the only reason I’m watching the show is to watch Kaye Ballard do her thing in a very large way. There’s some improvisation going on and one of these days I’m going to start calling my husband “Cutes”.

Speaking of Kaye’s husband; while we’re still in the first season he’s being played by Roger C. Carmel.

I can’t help but notice that Roger is a very cute 1960s version of a gay bear, with his handlebar mustache and his hairy chest often showing itself under the collar of his shirt. As I understand it, Roger was part of the underground gays of Hollywood back in the day. He was released from the show before the second season, some say due to contract disputes, other say due to recreational drug use and related activities. He was replaced by Richard Deacon, who apparently was also part of the undergrounds gays of Hollywood. Oh, I do enjoy Roger’s accent as well. I’m so odd.

Much to the chagrin of my husband we’ll continue working our way through “The Mothers In Law”. Desi Arnaz and Desi Arnaz Jr. made an appearance in an episode or two for us earlier this week. I’m sure they’ll be back again before we’re done with this run.

And can I just say I love the fact that Amazon Prime is bringing back all of these old shows that can’t be found anywhere else. The prints these digital streams were mastered off of are a little rough around the edges but mostly cleaned up decently. I’m happy this little slice of nostalgia is able to live on.

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