Borderline.

When I worked in radio in the 1990s and 2000s, I’d occasionally re-edit popular tracks to mix them up a little bit. I usually did this using four-track reel-to-reels, mixing it down to a two track reel-to-reel, and then cutting the tape with a razor blade and taping it back together. It was very rudimentary and I could only do one or two mix downs before the whole thing started sounding muddy. Then, in the late 1990s, a program called “Cool Edit” came along and made this whole process digital, and subsequently much easier to accomplish. Cool Edit is now known as Adobe Audition.

The first track I edited in Cool Edit was Madonna’s hit single from 1984, “Borderline”. I took elements from the extended 12-inch single and rearranged them to “punch up” the track into a radio edit, since the 12-inch single was too long (and actually too boring for radio consumption) to play in regular radio rotation. Madonna also occasionally had the habit of never “shutting up” during her early singles, sometimes making it tricky to beat mix in and out of her tracks during an instrumental break, because there was no instrumental break. “Into The Groove” is an example of this. Ironically, I replaced some of the 12-inch single instrumentation with more lyrics in my re-edit.

So, here’s “Borderline (DJ SuperCub Cub Sliced Re-Edit)”. I didn’t embellish the track with modern beats or instrumentation, it’s simply a re-arrangement.

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